Reflections

Short essays and studio reflections on perception, representation, architecture, photography, and the systems through which we construct meaning. These texts are not explanations of the work so much as notes from an ongoing investigation.

  • What is Now?

    What is Now?

    Here is paradox about time that dates back to Aristotle: The past does not exist any longer. The future does not exist yet. And the present is just the threshold at which the future turns into the past and has no duration. The present is a nothing that divides two things that don’t exist: the…

    Read more >>

  • Time and the Landscape

    Time and the Landscape

    It takes time to see a landscape and it takes time to look at a picture of a landscape. Our vision only allows for a narrow cone, 2 degrees, of detailed vision. What we see is a construction, a fabrication of what our mind thinks is out there in the world. In the landscape its…

    Read more >>

  • Navigating Towards a Hazy Horizon

    Navigating Towards a Hazy Horizon

    Smoke from forest fires has descended like fog, a brownish, yellowish smog. Over the lake the horizon is obscured. We’re losing our bearings and can’t find reference points. We have to move forward carefully. What does the future hold in store?

    Read more >>

  • Discombobulated – Recombobulated

    Discombobulated – Recombobulated

    You can hardly help it. Its as though you’re pre-programmed to interpret random shapes as discernable objects: animals, faces, buildings and landscapes. Spend any time looking at randomly churning clouds and you’ll see all manner of fantastic creations. Slowly, and inevitably, these apparitions dissolve and your mind serves up new illusions.

    Read more >>

  • The Micromegascope

    The Micromegascope

    Clouds having passed through the micromegascope. Micro Megas is the name of a series of drawings from 1979 by the architect Daniel Libeskind.They use the language of architectural drawing: plans, sections and axonometrics, but they don’t resolve into concrete representation; they float free of gravity, scale, and dimension, full of ambiguous potential. Libeskind got the…

    Read more >>

  • Cloud Maps

    Cloud Maps

    There’s a set repertoire of conditions and patterns, but the results are infinitely variable. Every day brings new vistas of changing colours, between a towering sky an ever-shifting water surface. The mind wanders through clouds. Fantastic landscapes, impossible cities, forests, animals, and strange creatures make brief ephemeral appearances. Slowly all these apparitions dissolve, replaced by…

    Read more >>

  • Dream Journal

    Dream Journal

    When the pandemic first hit, I started having strange vivid dreams. I was not alone in this, and the experience can readily be explained by the pervasive collective anxiety we all felt. For me, these dreams were a bright spark in otherwise dark time, because they provided rich imagery for new work. Think of the…

    Read more >>

  • Clouds And Waves

    Clouds And Waves

    The Clouds and Waves paintings are based on computer assisted abstractions of sky and water. The final pieces have, however, been produced in a very tactile manner:  digital composites, woven tapestries as well as carved, painted wood. Eastern Gap Originally concieved in 2019, this piece was not installed until the fall of 2020. It is…

    Read more >>

  • Phosphenes

    Phosphenes

    Squall At first glance the picture depicts a seascape with an empty horizon. The image is composed within the subtle colour palette of a summer storm: blues, greens and yellows. There’s a deep sense of perspective as the eye is drawn in under storm clouds and over the water. On closer inspection, an overlay of…

    Read more >>

×